If you’re new to Piano, Guitar or Music Producing or have just started learning music theory, then you may have come across C7, Cmaj7, and Cmin7 chords. In this article, we’re going to explain the differences simply and then show …
The frequency ranges that give an electric guitar its body, its bite and its fizz, and which ones to move out of the vocal’s way.
Where the boom, the boxiness and the sparkle live on an acoustic guitar, and what to do about each one.
How compression works at the mastering stage: whether you need it, how to set it up, and the settings that keep a master dynamic.
How to compress drums for that full, round, professional sound: what to check first, the compressor setup, and the advanced techniques.
Ratio sets how hard a compressor pushes back once the signal crosses the threshold. Here’s how the knob works, what the numbers mean, and how to set it right every time.
How to compress vocals so they sit steady in the mix: what to check first, how to set the compressor, and the advanced moves once the basics are in.
FET compressors are fast, punchy and coloured. Here’s how they work, what they sound like, and the mix situations they were made for.
Compression settings for electric and acoustic guitar, the advanced techniques, and the mistakes that kill a guitar performance.
Diode bridge compressors are rare, aggressive and full of character. Here’s how the circuit works, how it sounds, and when it’s the right tool.